# San Francisco Jazz Scene 2025–26: A Season of Resilience, Innovation, and Community Action
San Francisco’s jazz community continues to exemplify extraordinary resilience and vibrancy during the 2025–26 season, navigating infrastructural challenges while embracing innovation and grassroots activism. This season highlights a dynamic ecosystem where high-profile residencies, neighborhood venues, regional collaborations, and digital outreach intersect to sustain and shape jazz’s rich cultural fabric. Recent developments reveal both vulnerabilities—most notably the looming threat to beloved venues—and the unwavering strength and adaptability of the scene, fostering a spirit of community mobilization and artistic experimentation that keeps jazz alive, inclusive, and forward-looking.
## SFJAZZ Center: Tradition Meets Digital Innovation
The SFJAZZ Center remains a central pillar of San Francisco’s jazz scene, balancing its storied tradition with modern outreach strategies:
- **High-Profile Residencies and Performances:**
- **Chris Botti’s nine-performance residency** sold out rapidly, underscoring jazz’s broad appeal beyond niche audiences.
- **Dave Koz & Friends** continued to energize audiences with engaging shows emphasizing improvisation and storytelling.
- The **Spanish Harlem Orchestra** celebrated Latin jazz and Afro-Caribbean rhythms, reaffirming San Francisco’s multicultural identity.
- **Marcus Shelby’s inventive reinterpretation of Duke Ellington’s *Nutcracker Suite*** garnered widespread praise, exemplifying jazz’s dialogue with classical repertoire. Shelby emphasized, *“Revitalizing Ellington’s work connects the past with the present,”* reinforcing jazz’s capacity for reinvention.
- **Educational and Digital Outreach:**
SFJAZZ’s youth programs, especially the **High-School All-Stars**, continue fostering emerging talent. Its **online platform** has expanded significantly, offering **live streams, behind-the-scenes footage, artist interviews, and masterclasses**—extending the scene’s reach globally. During periods when in-person attendance was limited, these digital initiatives proved vital in maintaining engagement and visibility, positioning SFJAZZ as a leader in digital jazz programming.
- **Viral Digital Content:**
The scene’s vitality is amplified online through compelling clips such as:
- **Yelly**’s soulful *The Christmas Song* surpassing **53,000 views**.
- **Roxy Smith**’s energetic *Rudolph the Red-Nosed Reindeer* clip garnering over **59,000 views**.
- Live recordings from iconic venues, including:
- **David Grisman Quartet at The Great American Music Hall** (over 23,000 views)
- **Levit/Behrman Collective at B&B** (more than 269 views for a two-hour session)
- **The Duncan James Quartet at B&B** (234 views)
- An impromptu ferry jazz performance clip with **over 327 views and 6 likes**—a testament to jazz’s accessibility and spontaneous spirit.
These digital efforts not only document performances but actively broaden jazz’s audience, celebrating San Francisco’s improvisational ethos and innovative energy.
## Grassroots Venues: Incubators of Creativity and Community
Neighborhood venues continue to serve as critical hubs for local talent, spontaneity, and community bonds:
- **Milestones and Experimental Spaces:**
- **The Make-Out Room** celebrated its **30th anniversary**, remaining a vital venue for local jazz, electronic improvisation, and boundary-pushing sound experiments.
- **The Jazz Room** regularly hosts avant-garde projects, often blending electronic musicians and improvisers that challenge traditional norms.
- Weekly **jam sessions** at **Barbary Coast** and **JC Grady’s** exemplify jazz’s spontaneous and collaborative ethos; for instance, the December 18, 2025, session at JC Grady’s was notably lively, fostering new collaborations.
- Smaller venues like **Crepe Place** and **Hidden Key Brewing Co.** actively contribute to community vibrancy. The **Hartle Gold Band’s energetic performance at Crepe Place** on December 21, 2025, received social media attention. A recent **live set by Hartle Gold Band at Crepe Place** on January 25, 2026, uploaded to YouTube and lasting **1 hour, 6 minutes, and 42 seconds**, has **44 views**, illustrating ongoing local activity.
- Upcoming shows at **Hidden Key Brewing Co.** will feature artists like **Dan Craytor**, further integrating jazz into everyday community spaces and making the genre more accessible.
- The **Neighborhood Jazz Festival** showcased diverse acts across multiple venues, reaffirming grassroots programming’s role in nurturing emerging talent and community participation.
- **Muddy Waters Coffee Lounge** will host a **Palomazo & Open Mic/Jam** on **January 16, 2026**, emphasizing jazz’s participatory storytelling tradition.
### Upcoming Community-Oriented Performances
The grassroots scene maintains momentum with upcoming events emphasizing accessibility, inclusivity, and community engagement:
- **Keys Jazz Bistro**, temporarily closed for Thanksgiving, plans to reopen with acts designed to foster community bonds. Updates on reopening and performances are highly anticipated.
These venues and festivals serve as essential incubators for emerging artists and spaces that keep jazz rooted in community life and open to experimentation.
## The Threat of Closure and Community Mobilization: Bottom of the Hill
A critical recent development is the **announced closure of Bottom of the Hill**, scheduled for **next New Year’s Eve**. As a legendary venue that has long been a cornerstone for local bookings, emerging acts, and social gatherings, its potential loss threatens to create a significant void in San Francisco’s grassroots and experimental jazz scenes.
Venue founder **Rollin** expressed heartfelt concern: *“Bottom of the Hill has been a home for so many musicians and fans. Without it, the scene risks losing a crucial incubator for creativity and social connection.”* In response, community advocates, musicians, and fans are actively organizing efforts—including **fundraising campaigns**, **policy advocacy**, and seeking **alternative venues**—to prevent closure. This mobilization underscores the broader vulnerabilities small venues face and highlights the community’s recognition that **preserving these spaces is vital for the scene’s future**.
The potential loss could diminish opportunities for emerging artists, weaken community cohesion, and threaten jazz’s ongoing vibrancy. Local press, including coverage in the *East Bay Times*, has amplified awareness and rallied support, emphasizing the cultural significance of the venue.
## Regional Collaborations and Bay Area Highlights
San Francisco’s jazz vitality is reinforced through regional initiatives fostering cross-city collaboration and shared programming:
- **Yoshi’s in Oakland** is hosting a **residency featuring Tower of Power**, celebrating regional legends and encouraging dialogue across cities.
- **Yoshi’s** scheduled a performance **"Mistah F.a.b."** with the **Kev Choice Ensemble** on **Thursday, January 22, 2026**, blending jazz, hip-hop, and improvisation—an emblem of genre-crossing artistry.
- **Nova Arts** will present an **event on Saturday, January 13, 2026**, featuring the **Isness Ensemble** and **Cannon Mountain Recordings**, both dedicated to experimental approaches and supporting local artists.
- The **All-Star Jam** at **CJ’s Saloon in Pleasant Hill** on **January 4, 2026**, emphasizes spontaneous regional improvisation and community spirit.
- In Walnut Creek, a renowned jazz pianist will perform as part of a regional arts weekend, drawing audiences from across the Bay Area.
- Exhibitions at **Santa Clara’s Triton Museum of Art** explore visual interpretations of jazz and improvisation, fostering interdisciplinary dialogue.
Oakland’s vibrant scene features notable events such as **LaRussell’s performance at CryBaby** and exhibits like the **Indigenous Mam** installation at the 81st Avenue Library, reflecting the city’s diverse narratives and jazz’s intersection with broader artistic expressions.
Adding to the regional dynamism, **Yoshi’s** hosted **"Soul Power"** featuring **Huney Knuckles** with **Eddie M. on saxophone** on **January 5, 2026**. A **5-minute YouTube video** capturing the performance already has **9 views**, exemplifying ongoing energy and improvisation across the Bay Area. Similarly, a **live suburban performance** by **Stabe Wilson** titled **"Oakland’s Own Stabe Wilson 🎷 Soul Jazz Heat 🔥 — “Mercy Mercy Mercy” LIVE at Lucy Blue"**, uploaded recently, has **12 views** and showcases Oakland’s vibrant soul jazz scene.
Furthermore, **Bayview Opera House** has spotlighted Black and Brown artists during **SF Music Week**, with a **YouTube video** of a **5:56-minute** performance that garnered **30 views** and **2 likes**. This initiative underscores the importance of community-centered venues in promoting diversity and cultural expression.
## Digital Outreach and Viral Content: Amplifying Local Artists
Digital platforms continue to be crucial in expanding San Francisco’s jazz reach:
- Viral clips like **Yelly**’s *The Christmas Song* and **Roxy Smith**’s *Rudolph the Red-Nosed Reindeer* have amassed tens of thousands of views online.
- Live streams such as **The Dumb Zone 1-22-26 from Cane Rosso** have provided virtual access to performances, broadening engagement.
- The **"Road to 100K"** live event featuring **LaRussell** in Oakland, lasting **1 hour, 21 minutes**, surpassed **10,000 views** and **252 likes**, demonstrating how digital virality elevates local artists and genre-blending acts.
Recent uploads include **Wreckless Strangers** performing with **Beso Negro** at **Sweetwater Music Hall**, which has **48 views** and **3 likes**, further illustrating the scene’s spontaneous and collaborative online energy.
## Bay Improviser Network: Catalyst for Innovation and Cross-Venue Synergy
A noteworthy recent development is the strengthening of the **Bay Improviser Network**, an alliance dedicated to fostering experimental and new-music communities across the region. Its initiatives include:
- **Wyldflowr Arts’** December 4th show featuring avant-garde improvisation and electronic-infused jazz.
- Regular **Bay Improviser Home** gatherings that serve as incubators for new compositions and experimental ideas.
- Collaborations with venues like **The Make-Out Room** and **The Jazz Room** to host residencies and experimental showcases, ensuring ongoing boundary-pushing performances.
This network is pivotal in bridging grassroots venues, supporting emerging artists, and ensuring jazz’s evolution remains inclusive, innovative, and responsive to contemporary currents.
## Recent Live Recordings and Regional Highlights
Adding to documentation of local activity, the **Chris Bradley’s Jazz Band** performance at **Las Positas Vineyard** in Livermore on **January 23, 2026**, was recorded and uploaded. The **7-minute, 24-second** clip titled *"Wild Man Blues"* captures energetic solos and lively interaction, with **18 views** and **1 like**, exemplifying vibrant suburban jazz activity that complements urban scenes.
Other recent performances include:
- **Natalie Hawkins’** live broadcast from 6–8 PM PST, lasting **2 hours and 6 minutes**, which has garnered **189 views** and **28 likes**, highlighting rising local talent.
- The **“Rolling Stone” Randy & Jenny** duo at **Las Positas Vineyards** on **February 20, 2026** features a **3-minute, 56-second** clip with **modest views**, yet underscores ongoing regional engagement.
- The **"Takin’ It to the Streets"** performance by the **AJnC Band** at **Las Positas Vineyards** on **February 21, 2026**, captured in a **3-minute, 28-second** video with **5 views**, continues to showcase lively regional jazz and crossover acts.
### Regional Disruptions: La Onda Festival Cancellation
Adding to the scene’s challenges, organizers recently announced the cancellation of **Napa’s La Onda music festival**, a vibrant Latin and world music event that has historically showcased jazz-infused and genre-blending acts. A brief YouTube video confirming the cancellation, with **0:31 duration** and **1,846 views**, underscores the fragility of live music events amid economic and logistical uncertainties. The loss of La Onda signifies a setback for regional jazz and Latin fusion programming, highlighting ongoing vulnerabilities in maintaining large-scale festivals.
## Current Outlook and Implications
As the 2025–26 season unfolds, San Francisco’s jazz scene demonstrates remarkable resilience amidst ongoing challenges. The combination of:
- **High-profile residencies at SFJAZZ**,
- **Vibrant grassroots venues**,
- **Regional collaborations**,
- **Digital outreach and viral content**, and
- **Active community networks like the Bay Improviser Network**
creates a robust ecosystem that sustains innovation and cultural diversity.
**However, the looming threat of Bottom of the Hill’s closure** underscores the fragility of these vital community spaces. The community’s active mobilization—through fundraising, advocacy, and seeking alternative venues—is essential to preserving the scene’s incubators for creativity and social connection.
The recent cancellation of La Onda also reminds stakeholders of the importance of regional resilience and the need to diversify programming and support for live events. Digital platforms continue to play a pivotal role in sustaining interest and visibility for local artists, especially as in-person opportunities fluctuate.
**Supporting local venues, engaging with digital content, and fostering regional collaborations are key strategies** to safeguard jazz’s future in San Francisco. The collective effort reflects a community that recognizes: **preserving these spaces is fundamental to maintaining the city’s deep musical and cultural heritage**.
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### How to Support
Community members and jazz enthusiasts are encouraged to participate actively:
| [Bottom Of The Hill - Calendar & Tickets](http://www.bottomofthehill.com) | [Facebook](http://www.facebook.com/bottomofthehill) | [Instagram](https://instagram.com/) |
|---|---|---|
| Attend shows, contribute to fundraising campaigns, and advocate for the venue’s preservation to help sustain San Francisco’s jazz legacy. |
Your involvement—whether by attending performances, donating, sharing digital content, or voicing support—can make a significant difference in ensuring the city’s jazz scene remains vibrant, inclusive, and accessible for generations to come.
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**The 2025–26 jazz season in San Francisco exemplifies a community dedicated to resilience, innovation, and collective action.** Its ongoing vitality—fueled by community effort, digital expansion, and regional collaboration—continues to shape the city’s cultural landscape. As jazz evolves through experimentation and digital outreach, San Francisco remains a beacon of creativity and inclusivity, demonstrating that its musical spirit endures, even amid adversity.
## Recent Grassroots Energy: Inner City Blues @ Lakeside Lounge
Adding to the vibrant grassroots energy, a recent live session titled **"Inner city blues @ lakeside lounge 2/22 #2026 #liveband #tpatrickfarmer #live"** captured a spirited performance featuring musicians **Mike Williams, JJ Sax, Ocea**, among others. The **5:40-minute** video has **15 views** and no likes yet, but it underscores ongoing local engagement and the city's rich tradition of blues and jazz fusion. Such performances reinforce the grassroots foundation that supports the city’s broader jazz ecosystem, fostering spontaneous creativity and community connection.
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**In summary, San Francisco’s jazz scene this season exemplifies a community committed to preserving its cultural roots while embracing change, innovation, and collective action.** Despite challenges, the scene’s vitality persists through resilience, digital outreach, and grassroots collaboration—ensuring jazz remains a vital and evolving part of the city’s cultural identity.
